Break on Through - Grand Teton National Park, Wyoming

Being a travel photographer with a special fondness for mountains, whenever I go to the Rocky Mountains, my excitement level reaches high levels. To get to these destinations, you spend a bit of money, endure painful airline security, sit in cramped airplanes and have at least one layover (sometimes two). When you begin your descent, you start to think of all of the great shots you will take, and then it happens, your plane gets below the clouds and you realize that the mountains are socked in completely. Yep, those photos showing the golden light that you dreamed of turn into a white nothingness. You hope that the sun will break through for the rest of your time there, but sometimes it doesn't.

On my last trip to the Tetons, our group was faced with such possibilities. As we drove around the park, we all looked for the change in the weather that would revive our hopes. A tiny little break in the clouds would indicate that a better weather front was coming. As soon as a tiny little peak was there for a few seconds, all you could hear was a lot of cameras firing away, shots that none of us would taken had we had good weather and visibility. But when the sun finally puts on a push to break on through, photos like this one happen quite quickly. To those who weren't there with us, this photo shows the beginning of a change that made the rest of the tour meet our photo expectations.

Connecticut Splendor - Kent, Connecticut

Lake Waramaug State Park, Kent, Connecticut

As you may have noticed, I spent the last two foliage seasons away from my home state of Connecticut. Last year, it was taking a tour of Colorado to see the colors of the aspens against the magnificent mountains. This year, I co-hosted a Maine Photo Tour with my good buddy Jeff Clow. When I got home, I was too busy to get a chance to shoot the Connecticut foliage. So this photo is from a few years ago, and is of my go-to location for foliage photography. Located about an hour from my house near Lake Waramaug State Park, this particular location is privately owned and difficult to shoot. The property is large (some might consider it a mansion) and I wish that I had the run of the place to photograph it. There is no shoulder on the road, so it is hard to pull over to shoot it. I sometimes park on the home's driveway (about a half-mile long), hop out and get in some shots. I am always ready to hop back in the car and take off if I see anyone coming. Perhaps one day, I will get the courage to drive the very long driveway, knock on the door, and ask permission.

Homestead - Grand Teton National Park, Wyoming

John Moulton Homestead, Grand Teton National Park, Wyoming

Imagine that you decide to move west to Wyoming. You pack up all of your belongings into covered wagons that are more than likely powered by oxen. You brave the sweltering heat of summer and try to stay warm on those frigid nights on the plains. Along the way you see the beauty of the American landscape, but with that beauty comes a ruggedness that many will not overcome. Finally you reach your destination with the magnificent Grand Tetons of the Rockies as your backdrop. You think about relaxing, but no, housing has to be built and food and water needs to be found. Somehow, you survive and raise a family in this location.

These are my fictional thoughts of what might have happened as I compose photos of the John Moulton Homestead. I wonder if I would have survived such a trip without a supermarket to buy food from, a car to get around, a computer to find out what is going on, electricity to power all of my modern conveniences, etc (the list goes on and on). Probably not, but standing in front of these remaining houses and barns with the majestic mountains in the background, I think I might have tried. Just think of waking up every morning and seeing what Mother Nature would have in store for me. I guess for me, shooting photos in this wonderful place is a trip through time that leaves me wondering what really happened.

From the Rocks - Marshall Point Lighthouse, Port Clyde, Maine

I have visited Marshall Point Lighthouse a few times, but I had never shot it at sunrise or sunset. I always wanted to, but my visits in the past were on family vacations with non-photographers. On our Maine Photo Tour, I resolved that I would shoot at both times, as I thought that the light would be great (I wasn't wrong). Every time I have visited this light, I have never seen it with the tide in (I still haven't). I would like to some day, but, with the tide fully out on this evening, we were able to scramble on the rocks to get some unique views of the lighthouse. Not only that, there were some great puddles left by the tide that enabled us to get some terrific reflection shots. This is one of the puddles that my buddy Rad Alzyoud found. Not only did it give us a great reflection, it also gave us an extremely unique composition, one that I had never seen before. I think it is only possible when the tide is fully out.

Winter is Coming - Little Long Pond, Mt Desert Island, Maine

I know, stealing a favorite line from Game of Thrones is lame, but coming up with titles for these images can be challenging. Since I was a big fan of Game of Thrones well before the it aired on HBO, I feel like I can do so. Anyway, there is no doubt that fall is my favorite season of the year. The golden colors of the leaves are magical when you see them at their peak color. It is funny that just when the peak color hits, within a day or two the color is gone and the ground is covered with a blanket of dead leaves. I particularly liked this leaf, as it still had some great color, and the frost left some great looking details on it.

When we were shooting at Little Long Pond just outside Acadia NP, winter was waking up. It was pretty cold (a high of 40 degrees in mid-October) with a pretty steady wind. As some of us walked around the lake, we spotted that some of the leaves on the ground were showing some frost. 

Perfect Alignment - Boulder Beach, Acadia National Park, Maine

Boulder Beach is my favorite sunrise location in Acadia National Park. Getting there takes a little work and an ability to walk on unsteady footing. After scrambling down a steep incline, you are faced with walking on these round boulders that can be tricky to stay upright on (I have taken a spill in the past). The challenge is not only walking on rounded rocks, but also not knowing which ones are loose and which ones are slick from being wet. Despite these challenges, the payoff is worth it.

I have shot from this location many times, and it is hard to get new compositions, especially when there are lots of photographers already staked out. Fortunately, there were only a few photographers there before us and we were able to get into some good positions. I wanted to be able to get to a position with a good angle of the Otter Cliffs and also be able to capture the rising sun. When the sun popped over the horizon and the rock in the foreground was one of the first to light up, I knew I was perfectly aligned.

Acadia Foliage - Thunder Hole, Acadia National Park, Maine

On our post Maine Lighthouse Photo Tour, we were lucky to time it perfectly with the peak of the foliage season in Acadia National Park. Pure luck, as the peak can occur over a six-week window from late September to the end of October. On our first morning in Acadia, we stopped at Thunder Hole to shoot the rugged coast. While we were hoping to hear the famous 'thundering sound" made when the tide is in, all we heard were a few low 'booms". Despite that, we had a beautiful sunrise, and we were able to capture some terrific shots. Walking up toward the parking lot, I happened to look north on the one-way Park Loop Road and saw this glorious scene with the Maine foliage on full display.

Porch View - Marshall Point Lighthouse, Port Clyde, Maine

Last week I talked about working the scene and trying to get as many unique views of a subject that you can. The funny thing is that when you think you have photographed it at all possible angles, you see someone else's photo and you realize you missed some. That is why I love shooting with other photographers. Back in April on our Maine scouting trip, Jeff Clow posted a similar composition to this that I had failed to see. The second I saw it, I knew that I would be shooting it the next time I visited Marshall Point Lighthouse. For those of you who think you may have not seen this lighthouse before, you are probably wrong. It was featured in the movie Forest Gump when Forest ended his cross country run. I can just picture a video camera from this vantage point filming the end of his run.

In the Reeds - Doubling Point Lighthouse, Arrowsic, Maine

When scouting the Maine lighthouses back in April, we stopped at this lighthouse located on the Kennebec River, about ten miles from the coast. Both Jeff Clow and I immediately added it to the list of ones to visit on the tour. It was the first time I had ever seen this hard to find lighthouse and was intrigued by it. Fast forward to our Photo Tour last week. The scene had changed significantly. Back in April, the reeds surrounding the light were knee high and it was easy to compose shots from all angles. Now, the reeds were a little taller than me, and I had to raise my camera above my head to get the shot. While you had to work a little harder to get different compositions, I really like the look of the high reeds, as it gives a different feel to the photo. The dark tops of the reeds in the foreground also add a little interest to the scene.

Maine Color - Blueberry Field, Ellsworth, Maine

While driving to Acadia after our Maine Photo Tour, my buddy Jeff Clow did what he does best to find the off-the-beaten-track spots. He said to me, "Why don't you turn down this unpaved road and find out if there is anything there worth shooting?" Usually when he says that, the payoff is terrific. This was the case as we drove a little ways down the road. The colors of the foliage were on full display very quickly. We had luckily timed our tour with the peak of the Maine foliage season. It was late this year and both we and our tour participants were rewarded for it. 

I have lived in New England for over 20 years but had never seen the ground change colors from green to red. Trees and bushes yes, ground no. We found out later that this was a huge blueberry field and blueberry plants change color with the season (who knew?). In any case, the colors just popped for us even though the ground and trees were in the shade due to the cloud cover. Maybe I should have titled this post "Blueberry Field Forever?"

Low Point of View - Marshall Point Lighthouse, Port Clyde, Maine

One of the things that I have learned over the years is how to work a scene. What that means is to shoot the classic composition of a subject first and then experiment. Beginners often take that shot and think they are done. By working a scene you might end up with something completely different and better than you expected. How do I work a scene? I shoot from all different angles, trying to see if a different point of view works better. I will shoot at different focal lengths from wide-angle to telephoto. I also shoot from different heights: low, eye-level and high.

Often, one of the non-classic compositions will speak to you when you look at it. Take this low shot of Marshall Point Lighthouse. This subject has been shot numerous times from eye-level with great results. For this shot, I took my camera off of the tripod and placed it on the walkway to the light. I love how this shot turned out, as the eye can follow one of the boards through the photograph right to the door. While I have seen others with this composition shot at eye-level, I have not seen one from this low of an angle.

Behind the Bridge - Somesville, Maine

After Jeff Clow's Maine Photo Tour, we also co-hosted a two day post tour in Acadia National Park. Acadia is situated on the coast of Maine and actually is located on Mount Desert Island. Many of the photos from Acadia feature the amazing rugged coast and some impressive lakes. The island is not only home to the park, but also has some great small harbor towns where many of the lobster fishermen live and go out of. In addition to these sights, there are some locations that have a unique feature. One of my favorites is this small footbridge in the town of Somesville. It is often photographed from the front and one of my favorite photos is from that vantage point. 

I have often taken photos from behind the footbridge, but have never been satisfied with the result. On this day, everything seemed to work in my favor. The sun was at a great angle and lit up the scene wonderfully with an equal dose of light and shadow. The foliage was peaking on a few of the trees, and my favorite part of this image is the reflection of the leaves in the back window. This is definitely my best effort from the back of the footbridge.

Pemaquid Flare - Pemaquid Point Lighthouse, Bristol, Maine

Just completed co-hosting with Jeff Clow on his inaugural Maine Photo Tour and things went extremely well. We couldn't have asked for a better group of photographers to join us. We photographed twelve different lighthouses, various quaint harbors, and ate a whole bunch of lobster rolls. I will be featuring some of the photos I shot there over the next couple of weeks.

For those who regularly follow me, it is no surprise that I would kick off the photos with my favorite lighthouse, Pemaquid Point Lighthouse. We had already shot it at sunset two days before and we decided to shoot it at sunrise on our last day. The weather forecast was not stellar, with rain in the forecast. On the way to Pemaquid, it began drizzling, and we were expecting to be shut out. The photography gods had better plans for us, granting us a brief period of time (20 minutes at the most), where the sun peeked above the horizon and lit up the overcast skies. I shot this at f/22 to get a sunburst and was happy to find a decent lens flare in the photo. I am not usually one for lens flares, but this one seem to fit the mood of the morning. 

Paradise River - Mount Rainier National Park, Washington

Narada Falls, Mount Rainier National Park, Washingtom

Mount Rainier is the main attraction in the national park, but there are so many other attractions that can get overlooked, namely waterfalls. There are eighteen waterfalls located in the park that I am aware of. Some require strenuous hikes to reach, while others are just off the road. I have a particular fondness for capturing the flow of water using long-exposure photography. Whether it is a photo of the waterfall itself or a stream running to or from it, I just love the silky look that the water has when taking the shot with a long exposure. 

This is an example of what I am talking about. Near the parking lot for Narada Falls there is a footbridge where a small stream flows that will ultimately go over the falls downstream. It is not a wide stream, and the morning light lit up small parts of it in a way that caught my attention. I played around with quite the number of exposures, and settled on a 12-second one that I thought gave the right amount of "silkiness" to the photo.

Blessed Reflection - Grand Teton National Park,Wyoming

Chapel of the Transfiguration, Grand Teton National Park,Wyoming

Last week, I posted an image of the Chapel of the Transfiguration from the outside, showing the front of the chapel with the Tetons in the background. I also stated that there was a great shot of the mountains from inside the chapel. What I neglected to say was that there is a third shot. This one has eluded me over the years but I was finally able to capture it on my last trip. As you can see in this photo, it is a reflection of the mountains from the back window of the chapel. The window sits right above the altar, and you can see the crucifix and some flowers that are inside the chapel. When I took this photo, there were also faces of people in the window but fortunately, they weren't visible when I edited it.

Elk Crossing - Grand Teton National Park, Wyoming

Cattleman's Bridge, Grand Teton National Park, Wyoming

Sometimes a magical moment happens when least expected that gives you the most memorable event of a trip. A few of us had spent a few hours at Oxbow Bend and the weather did not cooperate at all. Mount Moran was totally socked in, the weather wasn't so hot, and, all in all, it was a morning to forget. My good buddy Jeff Clow suggested that we head to Cattleman's Bridge to see if we could find a bald eagle or two flying above the water. As we all looked up for the eagles, someone spotted some movement down river. There, amid the low-lying mist were quite a number of elk that were crossing the river onto an island. It was so unexpected and one of the coolest moments I have experienced. The fact that I also got some decent photos of the event was a bonus. 

This shot was my "unicorn" of the trip. My good friend Chris Nitz has the best description of what a unicorn is to a photographer. In Chris's words, "... the “unicorn” is that single image that makes an entire trip. It is that moment that you compose your photo, click that shutter button, check the LCD and immediately know that you could never take another photo during your trip and be completely happy with what you have." I couldn't say it any better (which is why I stole Chris' words).

Buried Under Aspens - Como Cemetery, Como, Colorado

Last September, I participated in a photo tour in Colorado with my friend Rick Louie (for those of you looking to take a tour, Rick's tour is highly recommended). The group met in Denver for dinner the night before the tour started. Rick's plan was to head to Telluride, stopping at different locations along the six hour drive. One of the first stops was a little cemetery in the small town (population 439) of Como. When we pulled up, it was clear that there were not very many headstones in the cemetery (so people were dying to get there). It was also clear that it was a beautiful place to be buried, with several stands of Aspens, all at peak color. The interesting part of the scene above that intrigued me was the bench where visitors could sit. I don't frequent cemeteries much, but I don't recall many benches in them.

First Light at Oxbow - Grand Teton National Park, Wyoming

If you mention Oxbow Bend to any serious landscape photographer, they know exactly where it is, even if they have never been there before. It is one of the most photographed landscapes in the western US, photographed millions of times. Standing anywhere along the shoreline of the Snake River or from the road above, Mount Moran is always present, towering above everything. I have been lucky enough to stand there many times in the past ten years, and I will say that every time the scene is different. Contributing to the variety are the clouds or lack of clouds, the time of day (sunrise is the best time to shoot there), the stillness of the water, the presence or lack of wildlife, low to the ground fog or lack thereof, and the season of the year (ice and snow-covered peaks and/or fall foliage). Suffice to say, for some, visiting this majestic location moves you in ways that you never expect.

Dawn Light - Sprague Lake, Rocky Mountain National Park, Colorado

I am always beating the drum about revisiting locations when the weather doesn't cooperate, even if there are years between visits. I first stood at Sprague Lake with family and friends during a very cold and very windy day. Even though the lake is far from any real oceans, I swear that there were waves on the water surface. Okay, maybe I exaggerate a bit but not by much. The next time I stood on the lake's shore, there was a steady rain that made photography impossible. So the third time is a charm? I'll let you be the judge of that. I shot this photo last September, and, although it rained during the night, I was blessed with great light and clearing skies.

Dodging Raindrops - Doubling Point Lighthouse, Arrowsic, Maine

You would think that, when comparing coastlines of US states, it would be quite easy to determine the order of the longest to smallest. When I did a little research, I found that the lengths can vary tremendously, depending on the method of calculation. There are two methods that are often used, but there is not a clear definition of how they were calculated. For example, under one method, Maine is ranked 9th at 228 miles, and under the other it is ranked 4th at 3,478 miles. That is quite the disparity. A recent satellite study estimates that the Maine Coast is actually closer to 5,500 miles. Why the disparity?  Two reasons come to mind. First, Maine has approximately 6,200 islands that technically should be counted. Second, Maine has many peninsulas that extend like fat fingers into the Atlantic Ocean.

Why am I interested in this you'd might ask? Well being a fan of lighthouses, I recently found that Maine has around sixty lighthouses, and I thought that it was a lot. Now that I understand the length of Maine's Coast, it seems like a small number.

Anyway, i leave you with this photo of Doubling Point Lighthouse, which sits on the Kennebec River and is considered part of the coastline, even though it is about 10 miles from the Atlantic Ocean.